Brooklyn Bugle Book Club: “The Hundred Days” by Joseph Roth
After he left Elba, Napoleon made his way back to Paris, where he resumed his crown, raised an army…
January 30, 2015After he left Elba, Napoleon made his way back to Paris, where he resumed his crown, raised an army…
January 30, 2015I understand that Tom DeLonge of Blink-182 has written a long and heartfelt letter to his fans, explaining and…
January 29, 2015I’m currently job hunting, and while writing resumes that no one will read is really exciting, I’ve decided to also take this (hopefully brief) time to do the things I wouldn’t normally have time to do if I had a job. I don’t have a particular agenda, just wherever the mood takes me. Perhaps you […]
(via Brooklyn Heights Blog)
Without a doubt, one of my favorite television channels is NYC Drive. It features only one program, continuous but…
January 28, 2015When his city hummed with radio waves, autumn colored incandescence heating up bakery brown Bakelite, He lived to be…
January 25, 2015“The simplest description of emptiness in the Buddhist teachings is this sentence: This is because that is. A flower…
January 23, 2015I had the extraordinary good fortune to begin a career as a music journalist when I was barely 16.…
January 22, 2015Somewhere in the sun-dulled suburbs clinging to Memphis, bleached yellow by the low, bright winter light and dotted by…
January 16, 2015In 1973, I was unarguably a child, arguably pre-sexual, and extraordinarily curious about the world around me. I was…
January 12, 2015432 Park Avenue (center in the photo above) claims the title of tallest residential building in the Western Hemisphere, and second tallest building (after the new One World Trade Center) in New York City, but if measured by roof height the tallest. It’s described by its architect, Rafael Viñoly, as designed around “the purest geometric form: the square.” Not only is the building’s horizontal cross section a square, but all the windows are squares. It dominates the midtown skyline with the grace of a colossal headless Pez dispenser, or upraised middle finger (the photo above was taken from Pier 1, Brooklyn Bridge Park). Aaron Betsky admires its “relentlessness”; I demur. Betsky also celebrates how 432 Park “represents the transformation of this and every other city into a place for the wealthy to live and play” as if driving out struggling artists and other relatively impecunious but creative people, and the inexpensive infrastructure that supports them, constitutes progress.
With bad luck, we may be subjected to more Viñoly designs, like 125 Greenwich Street, all of which will end up being pieds a terre for billionaires, with perhaps a few lower floor, smaller apartments going to mere multi-millionaires.
Viñoly discusses his design philosophy in this video. He plays piano well.
The developers of 432 Park are CIM Group and Macklowe Properties. Harry Macklowe is a developer whose company was once fined two million dollars for reckless endangerment resulting from the rapid night-time demolition of two buildings. Macklowe compares 432 Park to the Mona Lisa.
(via Self-Absorbed Boomer)